Gregg T Daniel

Gregg T. Daniel

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Gregg t. Daniel

Gregg T. Daniel directed the West Coast revivals of Suzan-Lori Parks’ ‘Topdog/Underdog” at the Pasadena Playhouse,  Anna Deavere Smith’s, “TWILIGHT:Los Angeles,1992”at The Mark Taper Forum and “Kill, Move, Paradise” by James IJames for the Odyssey Theatre. Denver Center world premiere of Beaufield Berry’s, “In The Upper Room”. August Wilson’s, “Joe Turner’s Come and Gone”, “The Piano Lesson”, “King Hedley II”, “Radio Golf”, “Seven Guitars”, “Gem of the Ocean” and  Lorraine Hansberrys’  “A Raisin In The Sun” at A Noise Within Theatre, Lanie Robertson’s, “Lady Day at Emerson’s Bar & Grill” & Katori Hall’s, “The Mountaintop” at the Garry Marshall Theatre. West Coast premieres of Mfoniso Udofia’s, “Her Portmanteau” at Boston Court Theatre, Tearrance Arvelle Chisolm’s,”Br’er Cotton” for Lower Depth Theatre. With Rogue Machine Theatre, Lorraine Hansberry’s, “Les Blancs” the L.A. premiere of Greg Kalleres’, “Honky”. West coast revival of Alice Childress’, “Wedding Band: A Love/Hate Story in Black and White” for the Antaeus Company. Regional work includes, Samm-Art Williams’, ”Home” for the International City Theatre (ICT) & the New Jersey  premiere of Katori’s Hall’s, “The Mountain Top” & Matthew Lopez’s, “The Whipping Man” at Cape May Stage. He is a recipient of the NAACP Best Director award for the International City Theatre’s production of  August Wilson’s, “Fences” (nominated L.A. Drama Critics Circle, Ovation, and StageScene LA awards). 


Gregg is also a Founding Member/Artistic Director of Lower Depth Theatre (www.Lower-Depth.com) Additional L.A. credits- Lee Blessing’s, “Cobb”, Eric Simonson’s, “Lombardi”, Frank McGuinness, Someone Who’ll Watch Over Me and Tom Stoppard’s translation of, Heroes for Group Repertory Theatre. For Lower Depth Theatre Ensemble, the West Coast premiere of Kwame Kwei-Armah’s, “Elmina’s Kitchen” He is a graduate of NYU’s Tisch School of the Arts and an accomplished actor with over 100 appearances in television and film roles.

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‘Mr. Daniel has been directing a remarkable string of plays exploring the state of race in America. These works have been spread out across the city. Taken collectively – they are a stunning body of work. He’s chasing after something profound with each production.’ -Anthony Byrnes at KCRW

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